Truth be told, a microphone can never substitute good vocals as it is simply a tool that amplifies voice. It is for this reason important to know how to use one as this is a device that every singer will encounter every so often. Discussed in the article here are insights on how best to achieve this.
Work On Your Voice Cords
Using your full voice is key when using microphones as it helps keep the audience engaged in addition to establishing you as a speaker. You will agree that there are people that lose their natural voice due to the pressure that comes with making public presentations. It would be for your own good to experiment with volume, rhythm, and pitch to up the ante when it comes to optimally expressing yourself.
Varying the volume, rhythm, and pitch plays a big role in conveying emotions and meaning. Overlooking this will in most cases mean a boring voice that is not only monotonous but robotic as well. Keep in mind that microphones will never make a lackluster voice interesting – only painful to the ears.
Whenever you are on stage, the audience is always hawk-eyed on how well you bring out semantic cues and emotions laced in your voice. This is something that microphones cannot offer and your best bet to get this right is making use of vocal diversity. Everyone will be left craving for more as the tone of your message will be nothing short of topnotch.
Perform Sound Checks
You must have been born under a lucky star if you have a technician to take care of setting up of the sound system that keeps every aspect in check as you speak. You will be good to go under such circumstances as there will be someone to actively control sound to make it a good match for your audience and the size of the room. Even so, it would be good to hold rehearsal sessions as this would be an opportune time to perform sound testing.
On the flip side, if the technician varnishes in thin air after setting up, it would be prudent to perform sound checks on your own. Never give in to the temptation of skipping this as it could make you sound like a broken record. Even though using the microphone is something you can do with your hands tied, note that every presentation is unique in its own way. You will feel like the walls are caving-in if sound issues kept popping like popcorns, but a sound check will keep such issues at bay.
Testing whether the entire room is filled with sound is essential and realizing this is easy as a duck takes to water. Have someone act as the audience and he/she should move from corner to corner to evaluate quality of sound. It is however important to take volume a notch higher when the real audience shows up as this goes a long way in neutralizing any rustling and murmuring.
No need to bury your head in the sand if you have no access to a technician. Making the instruction manual your best friend will come in handy at such a time. Follow the steps precisely and everything will fall into place. Do not forget to perform the sound check lest all your efforts will end in futility.
Figure Out How Microphones Work
This is something that might seem rather obvious, but you will be surprised at the number of people that fumble the moment they are handed the microphone. Overlooking this has been known to land people in hot soup after making private remarks that were supposed to be off the script. It is along the same lines that you would not want to start in high gear only to realize the microphone is off. Familiarize with the on, off, mute, and standby modes so that you get it right before and after speaking.
Proper Placement Of The Lavaliere Mike
The lavaliere microphone is one that is clipped to your clothing meaning your mode of dressing is a big concern. You will have an easy time wearing a tie or something that has a lapel since clipping will not be an arduous task. A blouse or jacket will also fit the bill so long as it allows you to firmly fasten the lavaliere.
The lavaliere comes in two forms: wired and wireless. The latter has a transmitter pack that needs to be attached on to your waist area. Wearing a belt will come in handy as you will have somewhere to have the transmitter neatly placed.
The better part of lavalieres work optimally by placing them 8 – 10 inches, at the center, beneath the chin. In the event that you plan to use Power Point presentations, have the microphone fastened towards the direction of the slides as you will every so often face in that direction while speaking. Placing it so high will in most cases cause hot and cold spots every time you change head position.
Keeping buttons, jewelry, hair strands, and the likes far from reach is advised. Whenever such items rub or even hit your microphone, the sound gets amplified thus negatively affecting sound quality. Avoiding even the smallest rustle will go a long way in ensuring the message is delivered loud and clear.
Proper Positioning When Using Lectern Microphones
Positioning yourself at an ideal distance when using microphones resting on lecterns or stands is essential. With different sound equipment, comes varying demands from the user and figuring out the best position that clearly brings out your voice will work to your advantage. The key objective is speaking across or over the mike, rather than into it. It is on the same note that you should avoid your face being blocked reason being this could interfere with making gestures. Make sure your movement is not hindered as well.
This is an aspect that many tend to overlook but breath and space are elements that are prerequisites to generating clear sound. The best way to achieve this is enabling your voice courtesy of a posture that is straight, aligned with both your spine and head.
Whenever a singer inclines towards a hunched or bent posture, sound reverberates around the throat yet it is supposed to find its way towards the listeners. Any twisting or bending of the neck will additionally cause a biomechanical disadvantage because air never gets to flow out slickly while speaking. An upright posture improves sound quality not to mention facilitating effective microphone use. Getting posture matters right means you will be talking across the mike and not into it – and this is what you want.
Reaching your audience is the main objective when communicating. Infusing the right vocal elements has everything to do with realizing this. The above are guidelines to help you in this regard though learning more at http://microphonegeeks.com/pro/studio-microphone/ wouldn’t break a bone